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Cornelius Krieghoff

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This article is about the painter. For the gun manufacturer, see H. Krieghoff.

Cornelius Krieghoff
Cornelius Krieghoff photographed by M.O. Hammond
Born(1815-06-19)June 19, 1815
Amsterdam, Kingdom of the Netherlands
DiedMarch 5, 1872(1872-03-05) (aged 56)
Chicago, Illinois
NationalityDutch Canadian
EducationMichel Martin Drolling
Known forPainter
Notable workThe Toll Gate, 1859
SpouseÉmilie Gauthier (m. 1837)

Cornelius David Krieghoff (June 19, 1815 – March 5, 1872) was a Dutch-born Canadian-American painter of the 19th century.[1] He is best known for his paintings of Canadian genre scenes involving landscapes and outdoor life, which were as sought after in his own time as they are today.[1] He painted many winter scenes, some in several variants (e.g. Running the Toll).

Life and career

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Krieghoff was born in Amsterdam, Kingdom of the Netherlands. When Cornelius was a boy, his father Johann Ernst Krieghoff returned to Germany (Krieghoff was likely German extraction via Lorenz Krieghoff of Thuringia[2]) and worked for Wilhem Sattler to establish a wallpaper factory. His family was given accommodations in Schloss Mainberg, a 12th-century castle owned by Sattler, situated overlooking the Main River.[3] He was initially taught by his father and then entered the Academy of Fine Arts in Germany about 1830. He moved to New York in 1836, and enlisted in the First Regiment of Artillery in the United States Army in 1837. While in the army, he made sketches of the Second Seminole War.[4] He was discharged as Corporal from the army in 1840.[5] Krieghoff traveled to Paris in 1844, where he copied masterpieces at the Louvre under the direction of Michel Martin Drolling (1789–1851).[6]

With his wife, Émilie Gauthier, he moved to Montreal around 1846 and participated in the founding of the Montreal Society of Artists in 1847. While in Montreal, he befriended the Mohawks living on the Kahnawake Indian Reservation and made many sketches of them from which he later produced oil paintings.[7]

Krieghoff's grave at Graceland Cemetery

He and his family (daughter Emily) moved to Quebec City in 1853. He returned to Europe in 1854, visiting Italy and Germany. In 1855, he returned to Canada. He served for a short time in the Volunteer Militia Company of Engineers, (a Canadian Militia unit in Hochelaga, Montreal), then lived in Europe from 1863 to 1868 and moved to Chicago to retire. He died in Chicago on March 5, 1872, at the age of 56 and is buried in Graceland Cemetery in Chicago. A decade later, on June 8, 1881, the Great Quebec Fire destroyed many of the sketches he had done at the time of his service In the First Regiment of Artillery in Florida, which were owned at the time by John S. Budden, who had lived with the artist for thirteen years.[4]

According to Charles C. Hill, the former Curator of Canadian Art at the National Gallery of Canada, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, and the hardships and daily life of people living on the edge of new frontiers".[8]

Collections

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Public collections holding works by Cornelius Krieghoff include the Art Gallery of Hamilton (Hamilton, Canada), the Art Gallery of Ontario (Toronto, Canada), the Beaverbrook Art Gallery (Fredericton, Canada), the Brooklyn Museum (New York City), the Glenbow Museum (Calgary, Canada), the McCord Museum (Montreal, Canada), the Montreal Museum of Fine Arts (Montreal, Canada), Musée national des beaux-arts du Québec[9] (Quebec, Canada), the National Gallery of Canada (Ottawa, Canada), the New York Public Library (New York City), the Rockwell Museum (Corning, New York), the Winnipeg Art Gallery (Winnipeg, Canada) and the Art Gallery of Nova Scotia (Halifax, Canada).[10]

The greatest accumulation of Krieghoff paintings ever assembled, at over two hundred, was once part of the vast private collection of billionaire newspaper and television magnate, Ken Thompson[11] and is in the Thomson Collection on view at the Art Gallery of Ontario today.

In February 1977, Thomson, Canada’s top fine art collector, suddenly found his collection had become a top news story in several of his own papers—from The Globe and Mail in Toronto, to The Times of London—after quietly inviting English art forger Tom Keating to come to his top floor office at Thomson Tower to check if any of his cherished Krieghoffs were fakes. Keating was under investigation by the Art and Antiques squad at Scotland Yard for selling several fake Krieghoffs in the UK, and he claimed to have painted several hundred of them, mostly in the 1950s.[12][13][14][15]

Curators at the Art Gallery of Ontario (to whom Thomson later donated nearly two thousand artworks worth over (US) three hundred million dollars) held their breath when, media herd in tow, their collection was inspected by the notorious art forger. Keating denied finding any of his pastiches in Thomson's collection, nor at the AGO, nor at any of several other Canadian fine art institutions he carefully scrutinized. He professed relief that his vendetta against greedy art merchants had not tarnished the fine collections he felt privileged to tour and study over the course of his three-week visit.[11][16][13] In February 1979, while giving evidence in his art fraud trial at the Old Bailey, he did say he was told in the 1950s that seventeen Krieghoffs in Lord Beaverbrook's collection were fakes by him. Asked to come inspect them, he refused, saying: 'Why waste the money? Try X-rays'.[17]

Recognition

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In 1955, the National Film Board of Canada released the award-winning documentary The Jolifou Inn. The 10-minute film, directed by Colin Low and produced by Tom Daly, depicts 19th-century Québec life, as Krieghoff would have seen it, and uses his work to illustrate his source of inspiration.[18]

On November 29, 1972, Canada Post issued 'Cornelius Krieghoff, painter, 1815–1872' designed by William Rueter based on a painting "The Blacksmith's Shop" (1871), by Cornelius Krieghoff in the Art Gallery of Ontario, Toronto, Ontario. The 8¢ stamps are perforated 11 and were printed by British American Bank Note Company.[19]

On July 7, 2000, Canada Post issued 'The Artist at Niagara, 1858, Cornelius Krieghoff' in the Masterpieces of Canadian art series. The stamp was designed by Pierre-Yves Pelletier based on an oil painting "The Artist at Niagara" (1858) by Cornelius Krieghoff in the Art Gallery of Ontario, Toronto, Ontario. The 95¢ stamps are perforated 13 x 13.5 mm and were printed by Ashton-Potter Limited.[20]

Auction record

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The auction record for a painting by Cornelius Krieghoff is $570,000 Canadian. This record was set by Mail boat landing at Quebec, a 17 by 24 inch oil painting on canvas sold November 20, 2006, at Sotheby's & Ritchies (Toronto).[21]

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  • The Blacksmith's Shop, oil on canvas, 22 x 36 in, 1871, Art Gallery of Ontario
    The Blacksmith's Shop, oil on canvas, 22 x 36 in, 1871, Art Gallery of Ontario
  • Self-portrait, 1855, National Gallery of Canada
    Self-portrait, 1855, National Gallery of Canada
  • The Toll Gate, oil on canvas painting, 1859
    The Toll Gate, oil on canvas painting, 1859
  • The Toll Gate, oil on canvas, 1861, National Gallery
    The Toll Gate, oil on canvas, 1861, National Gallery
  • The Blizzard, oil on canvas, 1857, National Gallery
    The Blizzard, oil on canvas, 1857, National Gallery
  • The Habitant Farm, oil on canvas, 1856, National Gallery
    The Habitant Farm, oil on canvas, 1856, National Gallery
  • The Ice Bridge at Longue-Pointe, 1847–1848, National Gallery
    The Ice Bridge at Longue-Pointe, 1847–1848, National Gallery
  • The River Road, oil on canvas, 1855, National Gallery
    The River Road, oil on canvas, 1855, National Gallery
  • Winter Landscape, oil on canvas, 1849, National Gallery
    Winter Landscape, oil on canvas, 1849, National Gallery
  • Winter Landscape, Laval, oil on canvas, 1862, National Gallery
    Winter Landscape, Laval, oil on canvas, 1862, National Gallery
  • Following the Moose, oil on canvas, ca. 1860, 11 x 9.5 in., Brooklyn Museum
    Following the Moose, oil on canvas, ca. 1860, 11 x 9.5 in., Brooklyn Museum
  • Fraser with Mr. Miller Up, oil on canvas, 1854, National Gallery
    Fraser with Mr. Miller Up, oil on canvas, 1854, National Gallery
  • Indian Wigwam in Lower Canada, lithograph with watercolor on wove paper
    Indian Wigwam in Lower Canada, lithograph with watercolor on wove paper
  • The Passing Storm, Saint-Ferréol, oil on canvas, 1854, National Gallery
    The Passing Storm, Saint-Ferréol, oil on canvas, 1854, National Gallery
  • Habitants, 1852
    Habitants, 1852
  • Lumber Raft on the St. Lawrence, 1867
    Lumber Raft on the St. Lawrence, 1867
  • Print, Wyandot hunter calling a moose, about 1868
    Print, Wyandot hunter calling a moose, about 1868
  • Indian Woman Moccasin Seller
    Indian Woman Moccasin Seller
  • Signatures
    Signatures

References

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  1. ^ a b Gehmacher, Arlene. "Krieghoff, Cornelius David". The Canadian Encyclopedia.
  2. ^ "Lorenz Krieghoff". September 29, 2022.
  3. ^ Reid 1999, p. 45.
  4. ^ a b Harper 1979, p. 8.
  5. ^ Bradfield, Helen (1970). Art Gallery of Ontario: the Canadian Collection. Toronto: McGraw Hill. p. 232. ISBN 0070925046. Retrieved June 8, 2020.
  6. ^ Reid 1999, p. 50.
  7. ^ MacDonald, Colin (1991). A Dictionary of Canadian Artists, vol. 3 (3rd ed.). Ottawa: Canadian Paperbacks Publishing. p. 680. ISBN 9780919554054. Retrieved June 8, 2020.
  8. ^ Cornelius Krieghoff stamp.
  9. ^ "Cornelius Krieghoff". www.collections.mnbaq.org. Retrieved January 18, 2020.
  10. ^ Ivory, Michael (2006). Canada. National Geographic Society. ISBN 9780792262015.
  11. ^ a b Adams, James (November 20, 2002). "Thomson hands AGO $370-million donation". The Globe and Mail. Retrieved April 9, 2023.
  12. ^ Plommer, Leslie (September 18, 1976). "Degas? Renoir? Or did Keating do it?". The Globe and Mail. pp. 1, 31.
  13. ^ a b Parker, Robert (February 1, 1977). "Krieghoff paintings 'genuine'". The Times. p. 3.
  14. ^ Schroeder, Andreas (April 4, 1977). "The magnificent fraud: Tom Keating's life is imitating art". Maclean’s: CANADA’S NEWSMAGAZINE. pp. 1, 36–40.
  15. ^ Keating, Tom; Norman, Frank; Norman, Geraldine (1977). The Fake's Progress. Hutchinson of London. p. 268. ISBN 0091294207.
  16. ^ Barbara, Yaffe (January 17, 1977). "Krieghoff imitator spots none of his fakes at art gallery". The Globe and Mail. p. 5.
  17. ^ RAIS, GUY (February 2, 1979). "'OLD MASTERS' SPIRITS TOOK OVER, SAYS TOM KEATING'". The Times. p. 3.
  18. ^ "The Jolifou Inn". onf-nfb.gc.ca. National Film Board of Canada. Retrieved March 6, 2023.
  19. ^ "Canada Post stamp". Data4.collectionscanada.gc.ca. November 29, 1972. Retrieved August 11, 2013.[permanent dead link‍]
  20. ^ "Canada Post stamp". Data4.collectionscanada.gc.ca. July 7, 2000. Archived from the original on January 1, 2013. Retrieved August 11, 2013.
  21. ^ Blouin Art Sales Index.

Further reading

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  • Barbeau, Charles Marius: Cornelius Krieghoff, Pioneer Painter of North America. The Macmillan Company of Canada, ltd., Toronto 1934.
  • Barbeau, Charles Marius: Cornelius Krieghoff. Ryerson Press, Toronto 1948.
  • Barbeau, Marius: Cornelius Krieghoff. Society for Art Publications, Toronto 1962.
  • Harper, J. Russell: Cornelius Krieghoff, The Habitant Farm. National Gallery of Canada, Ottawa 1977.
  • Harper, J. Russell (1979). Krieghoff. Toronto: University of Toronto Press. Retrieved February 23, 2021.
  • Jouvancourt, Hugues de: Cornelius Krieghoff. Musson Book Co., Toronto 1973.
  • Ministère des affaires culturelles: Cornélius Krieghoff, 1815–1872. Québec 1971.
  • Reid, Dennis (1999). Cornelius Krieghoff: The Development of a Canadian Artist, Krieghoff, Images of Canada. Vancouver: Douglas & McIntyre. pp. 45–97. Retrieved July 22, 2020..
  • Vézina, Raymond: Cornelius Krieghoff, peintre de mœurs, 1815–1872. Éditions du Pélican, Québec 1972.
  • Winkworth, Monsieur: Exposition d'estampes en l'honneur de C. Krieghoff, 1815–1872. McCord Museum, Montréal 1972.
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